electronic

51. do lume que pesa, para chamber music and electronics (2020)

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do lume que pesa, para chamber music and electronics (2020) [en]do lume que pesa, commissioned by the Sond’Ar-te Electric Ensemble, is based on the image of the farricoco and the emotions in Braga’s Holy Week celebrations, showing solitary introspection, but with (some) hope towards the future. The farricocos are dark, penitent and meditative figures who […]

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39. A Geada Matou os Narcisos, electronics (2017)

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A Geada Matou os Narcisos, electronics (2017) [en]A Geada Matou os Narcisos was premiered on 21 September 2017 at O’culto da Ajuda. This piece, based on “Das Nest” by the German playwright Franz Xaver Kroetz, served as a starting point for exploring the concepts of possession, loss and consciousness, and for speculating on the consequences

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30. quando vier a primavera, for bass clarinet and electronics (2016)

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quando vier a primavera, for bass clarinet and electronics (2016) [en]Written in 2016, quando vier a primavera, for bass clarinet and electronics, was based on Alberto Caeiro’s poem with the same title. The acceptance of fate as it will be, or the recognition of its inevitability, emerges as a key point in the poem in

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23. aMoria, chamber music and electronics (2015)

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aMoria, chamber music and electronics (2015) [en]aMoria is a piece that was born out of collaboration with visual artist Nina Caspari, as part of the Sketch the Sound project, an initiative conceived by Erna Verlinden, which brought together composers and visual artists to create new works. This piece is part of a wider project, “Armora”,

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20. dream is my reality, for cavaquinho, mandolin and electronics (2014)

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dream is my reality, for cavaquinho, mandolin and electronics (2014) [en]dream is my reality, for cavaquinho, mandolin, electronics, and dance was created during the project “Dance and Composition”, at the Koninklijk Conservatorium Antwerpen, in collaboration with the dancer Anna Senognoeva and the mandolin player Johan Corrales. The creation process alternated between moments of collective creation

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03. Tinnitus, electronic (2010)

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Tinnitus, electronic (2010) [en]Tinnitus develops a sound environment that evokes both the obsessive persistence of a phantom sound and the fluidity of changing electroacoustic landscapes. The piece can be interpreted as a metaphor for inner listening – an echo of auditory memories or a projection of the act of listening itself. Tinnitus was created in

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