[o texto em português encontra-se abaixo] [EN] Hello, and thank you for joining me here. On 8 August, the Hong Kong Legends Ensemble, conducted by Dr Leung Chi-cheung, premiered my piece tides, my most recent piece. The core practice of the Hong Kong Legends Ensemble is to combine Western and Chinese instruments, creating a distinctive […]
on “tides”, for ensemble // sobre “tides”, para ensemble Read More »
[o texto em português encontra-se abaixo] [en] Hello! Welcome back to my website. With the New Year now behind us – it was almost a month ago, I know! 🙂 – I would like to take this opportunity to look back on 2025. 2025 was a particularly busy year, and it would be impossible to
a lebre e a tartaruga, for trombone (2024) [en]The piece a lebre e a tartaruga (‘the hare and the tortoise’) was commissioned by the trombonist Ricardo Pereira as part of his doctoral project on pedagogical practices and incorporating contemporary music into trombone teaching in Portugal. The piece explores the theatrical dimension of the stage, inviting
60. a lebre e a tartaruga, for trombone (2024) Read More »
[delicadeza], for violino, harpa e piano (2023) [en][delicadeza], for violin, harp and piano, was written for the Ensemble Linea and premiered at the Cordes Sur Ciel Festival in July 2023. The idea for this piece arose after the CISMO and Cristina Branco project, with whom I had the opportunity to work in 2022 – [
58. [delicadeza], for violino, harpa e piano (2023) Read More »
[nas tuas mãos], for piano solo (2023) [en]The set of short pieces [nas tuas mãos] was the musical result of the ‘Arte e Olhar’ project developed by the Agrupamento de Escolas D. Maria II in Braga, which promotes bilingual teaching in Portuguese and Portuguese Sign Language (LGP), artistically directed by Maíra Ribeiro, and of which
57. [nas tuas mãos], for piano solo (2023) Read More »
do lume que pesa ii, for flute solo (2021, rev. 2023) [en]do lume que pesa ii was influenced by the farricocos, their matracas (ratchets) and the fire they carry. The farricocos are traditional figures of Holy Week in Braga, known for their black clothing and role in religious processions. Walking barefoot, the farricocos are penitent
56. do lume que pesa ii, for flute solo (2021, rev. 2023) Read More »
diz tu por mim silêncio, for solo sopranoand wind ensemble (2022) [en]diz tu por mim, silêncio (2022), for soprano solo and wind ensemble, is based on the poem ‘Não era hoje um dia de palavras’ by José Saramago to explore the tension between the absence of speech and the imperative need for expression. The piece
55. diz tu por mim silêncio, for solo soprano and wind ensemble (2022) Read More »
ai esta pena de mim, for ensemble (2022) [en]In 2022, I was invited by the artistic director of CISMO – Cister Meta Orchestra -, Mário Marques, to create two pieces for the project ‘CISMO invites Cristina Branco’. This initiative, presented as ‘challenging’ by Mário Dinis Marques, aimed to ‘celebrate music through music as a form
54. ai esta pena de mim, for ensemble (2022) Read More »
gaivota, for ensemble (2022) [en]In 2022, I was invited by the artistic director of CISMO – Cister Meta Orchestra -, Mário Marques, to create two pieces for the project ‘CISMO invites Cristina Branco’. This initiative, presented as ‘challenging’ by Mário Dinis Marques, aimed to ‘celebrate music through music as a form of communication in which
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love me [not], for harp solo (2022) [en]The work love me [not] is shaped by two main influences that are intertwined. The title was inspired by the Pakistani visual artist Imran Qureshi’s work “Love Me, Love Me Not” (2015). The composition’s narrative, however, is influenced by the film ‘Verdes Anos’ (1963), directed by Paulo Rocha.
52. love me [not], for harp solo (2022) Read More »