things that might come, drummer (2015) [en]things that might come was the result of a collaboration between composers, instrumentalists and dancers, students at the Royal Conservatory of Antwerp. This piece, for solo drums, was premiered by Helena Araújo and Gert Malfliet on 27 May 2015 at the Gele Zaal, deSingel, Antwerp. [pt]things that might come […]
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dream is my reality, for cavaquinho, mandolin and electronics (2014) [en]dream is my reality, for cavaquinho, mandolin, electronics, and dance was created during the project “Dance and Composition”, at the Koninklijk Conservatorium Antwerpen, in collaboration with the dancer Anna Senognoeva and the mandolin player Johan Corrales. The creation process alternated between moments of collective creation
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biLhete, for piano solo (2014) [en]This solo piano piece was written in 2014 during a project between Woordkunst and Composition students at the Royal Conservatory of Antwerp. Initially, when it was premiered, the piece was presented under the name ‘quadros de uma citação’ (pictures of a quote), due to the transformation throughout the piece of
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Oscilações, for timpanist (2011) [en]Oscilações, a work for percussionist, was commissioned by the percussionist Lúcia Viana da Silva. The piece, written for four timpani, keeps a constant pitch throughout the performance. The title reflects the variations in tempo, dynamics and character, as well as the different areas where the player plays the instrument, such as
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Chanson de la Pensée, for piano solo (2010) [en] Chanson de la Pensée, for solo piano, was written in 2010 and is dedicated to my sister, Ana Rita Dias. This piece was premiered by Carla Quelhas on 4 May 2010 in the Jardins de Inverno do Teatro Nacional São Carlos, Lisbon. [pt] Chanson de la
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[depois], for violoncello solo (2023) [en][depois], for solo cello (2023), proposes a sound immersion inspired by Sophia de Mello Breyner Andresen’s poem ‘Depois da cinza morta destes dias’, in a narrative that moves between silence and a muted intensity. ‘The sounds of the cello are moulded by the sonority of the words and the atmosphere
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